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Yevtushenko, On A Rainy Day by Benilda S. Santos

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Yevtushenko, On A Rainy Day
Benilda S. Santos

All is quiet where I sit
and listen to rain trickling
through a hole in the waterspout
outside my bedroom window.
I seize the moment
to be alone with my Yevtushenko.
He is saying between quotation marks
that look like droplets of rain
suspended near the edge
of my windowpane,
he is saying,
        “And I run like mad
        Never catching up with myself.”

How I wish he would run right
into my room so he could see
my pen struggling across this piece
of white paper, writing as though
on soggy stationery
or on shreds of sandpaper.
What would he say
if he could see me thus?
Would he recite,
        “I walk across life
        Shirt collar open” or,
        “I am cruel to the petals”?
Or would he simply
lead me out of this room
to the rain-soaked grass
in my garden
where, in a quiet corner,
under an awning,
my soft-spoken washerwoman,
tall and gentle as Yevtushenko,
is noiselessly erasing with a bar of soap
a darkish stain on my skirt?
Or would he whisper
with outstretched arms,
        “Come, let us kiss…”?

But the rain has stopped.
Yevtushenko has to go
back to the second-to-the-last-shelf nook,
next to my husband’s copy of
The Stock Market Handbook.


Today was the universe trying to talk to me again in spaces, these that I have left but was gently forced to come back to due to circumstances. Today was the universe bringing back pieces of my old life as if pulling me into a dream I used to know.

Thirteen years ago, Frank Sinatra died. I was twelve years old, and I felt incredible sadness: this sorrow was so alien, so other to me, and I suddenly realised that this is what Sinatra sings about, what that tiny tremor in his voice means every time.

Today I was sitting in my new favourite restaurant, waiting for someone. I was drinking coffee and thinking about all this when the first strains of music began. It was Frank. He was singing Moon River.

After my meeting, I got a cab and went to the university. Our yearbook is finally out, they said. I had to get it before August. The yearbook is out. After four fucking years. I’ve forgotten all about it, to be honest. Who needs to look back on a bunch of photos and read all the lies we told about ourselves? But I paid for it, so I had to get it. I am not an accountant’s daughter for nothing.

Tonight I turned to the page where I was. There, under my name, were quoted two lines from a poem:

“And I run like mad
Never catching up with myself.”

It was attributed to Yevtushenko when in fact, it came from another poem. I don’t know how it ended like that; maybe someone in the committee screwed up. Maybe it was supposed to happen. All I know is while everybody else heaped praises upon themselves, I only had these words to say for myself, and oh, what precious words they were.

But where was the hidden message from the universe? It came during lunch. We were at a place named after a mythical bird from my childhood, smack dab in the middle of nostalgia, drinking Felicidad, made from whipped egg whites, milk, vanilla, rum and cream. We laughed, discussing the news, our lives, and whatever came to mind as we tried not to think of the heat outside. Across the room, I spotted a familiar face, and I was up from my chair before I knew it. She was Inay to me, a mother I’ve always wanted to have, and I haven’t seen her in years.

My mentor, who asked how I was, who was concerned if I was doing alright for myself, who told me I should start publishing again (it has been a while), who was excited to meet up for coffee, who said I should send her my work soon, who said that it was great to see me, me out of all faces—my mentor who wrote this poem, who made me love what I do so deeply.

Dear universe: thank you.


This poem appeared in Alipato by Benilda Santos, published by Salimbayan Books, 1999. Shared here with profound gratitude.


Read more works by Benilda S. Santos • Find books by this poet • Or view my library


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