Ugly=Nation by Don Mee Choi
Ugly=Nation
Don Mee ChoiOnce upon a time, there was Ugly=Nation. It still is, mind you. The most violently mountainous place on earth is no longer. The mountains were reduced to hills as everything depends on bombers and perspective if you happen to be nothing at all. In other words, the mountains were mere hills from the perspective of Beauty=Nation, which is endlessly lofty and correct. And it just happens that correctness has a great deal to do with beauty in general. If I may add, correctness is unbeatable beauty, which is why it is revered amongst skin crisp like fried potato chips. And so strategically speaking, nothing really matters in regards to Ugly=Nation since its ugliness is so utterly unbearable that it might as well be scorched, stripped bare of pines and feathers, barren to its bones. Welcome to the meat grinder. Naturally, Ugly=Nation swam in a pool of DDT. A licey situation. A nation devoid of lice! Is that possible? Beauty=Nation is possible. Ugly=Nation eventually grew up to be somewhat beautiful, but that was only from the perspective of its own kind, a perspective devoid of respectable distance. Patted with DDT powder, those azalea-pink beaks, bloated bellies and stubby toes. Those utterlings. And they aren’t just Orientals, they are Communists.
MARGINALIA
1.
It’s hard to explain to someone who has never been made into a metaphor how exhausting it is to be told how you look not just in face, but in story, in history, in bone. For example: your nation is a province for white colonialists. For example: that the colour of your skin is an afterthought.
2.
The distance between beauty and destruction is perspective—and perspective always belongs to the ones dropping the bombs.
3.
I have been both inside and outside of language like this. There is no safe way to speak about ugliness when it’s been institutionalised into geography, when the map itself says: you are not beautiful, therefore you are expendable.
4.
What happens when a body of people are reduced by rhetoric until all that’s left is to be eradicated or pitied.
5.
It is unbearable to be misseen again and again until you almost believe it.
6.
Yet even in the scorched landscape, the body remembers itself. And refuses to disappear.
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SHARED WITH GRATITUDE
This poem appeared in Hardly War by Don Mee Choi, published by Wave Books, 2016. (Available on: Amazon • Bookshop)
DESCRIPTION
“Hardly War, Don Mee Choi’s major second collection, defies history, national identity, and militarism. Using artifacts from Choi’s father, a professional photographer during the Korean and Vietnam wars, she combines memoir, image, and opera to explore her paternal relationship and heritage. Here poetry and geopolitics are inseparable twin sisters, conjoined to the belly of a warring empire.” (Source)
ABOUT DON MEE CHOI
Don Mee Choi was born in Seoul, South Korea, and lived in Hong Kong before moving to the United States. Choi is the author of the poetry collections Mirror Nation (Wave Books, 2024); DMZ Colony (Wave Books, 2020), which won the National Book Award for Poetry; Hardly War (Wave Books, 2016), the first book in her KOR-US trilogy; and The Morning News Is Exciting (Action Books, 2010), as well as several chapbooks and pamphlets. Choi currently serves as an advisory editor for Action Books:… (more)
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ENDNOTES
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