San Maló by Luisa A. Igloria
San Maló
Luisa A. IgloriaNo birds, no boats
are visible on the water, which roils
and foams as if an acreage of cotton
rippled from a whip or a prod, above
and below. You could say it doesn’t take
much to feel how little influence
we have in a world we once thought
we could make our home. My people leaped
ashore from the blue-black hold of a three-
masted ship, sick of salt-winds, aching
for the remembered tenderness of bodies
before they wore a harness or bent
under cargoes of cotton and silk,
amber, cassia bark. Never mind
that the bruise from such a severance
might not heal. Never mind that water—
old sojourner, restless tenant—
would still wind through the centuries,
through houses on stilts in the middle
of an estuary, before fanning
back out into the sea.
“Saint Malo was the first permanent settlement of Filipinos and
perhaps the first Asian-American settlement in the United States….
The settlement may have been formed as early as 1763 or 1765 by
Filipino deserters and escaped slaves of the Spanish Manila galleon
trade.” – Wikipedia
MARGINALIA
1.
My people come from islands. We have always been touching water, even when we’re not in it. We know how to bend without breaking.
2.
There are days when I think of water and feel something ancient wake inside me. Not longing exactly—more like recognition. A grief that doesn’t belong only to me, but lives in the blood. In the bones.
3.
I think about everything we lost so that we could survive. How we bent the knee to the coloniser and to the god they brought us to replace our gods. How we gave up our names so they could name us again.
4.
I think about what it means to carry memory like salt in the mouth.
5.
Some wounds don’t close, but they don’t always bleed either. They become part of the terrain. Like the sea beneath a stilt house. Always moving. Always returning.
KEEP READING
SHARED WITH GRATITUDE
This poem appeared in The Missouri Review, Poem of the Week, 2022.
DESCRIPTION
“The Missouri Review, founded in 1978, is one of the most highly regarded literary magazines in the United States. For the past four decades we’ve upheld a reputation for finding and publishing the very best writers first. We are based at the University of Missouri and publish four issues each year. Each issue contains approximately five new stories, three new poetry features, and two essays, all selected from unsolicited submissions sent by writers throughout the world.” (Source)
ABOUT LUISA A. IGLORIA
Luisa A. Igloria is the author of Caulbearer (Immigrant Writing Series Prize, Black Lawrence Press, 2024), Maps for Migrants and Ghosts (Co-Winner, 2019 Crab Orchard Open Poetry Prize), The Buddha Wonders if She is Having a Mid-Life Crisis (2018), 12 other books, and 4 chapbooks. She is lead editor, along with co-editors Aileen Cassinetto and Jeremy S. Hoffman, of Dear Human at the Edge of Time: Poems on Climate Change in the U.S. (Paloma Press, 2023). Originally from Baguio City, she makes… (more)
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ENDNOTES
- Explore other works in pursuit of: time • sea • birds • Or browse the index
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Ashley Muñoz
May the wave / rushing onto shore / remind you of home