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Meditations in an Emergency by Cameron Awkward-Rich

Meditations in an Emergency
Cameron Awkward-Rich

I wake up & it breaks my heart. I draw the blinds & the thrill of rain breaks my heart. I go outside. I ride the train, walk among the buildings, men in Monday suits. The flight of doves, the city of tents beneath the underpass, the huddled mass, old women hawking roses, & children all of them, break my heart. There’s a dream I have in which I love the world. I run from end to end like fingers through her hair. There are no borders, only wind. Like you, I was born. Like you, I was raised in the institution of dreaming. Hand on my heart. Hand on my stupid heart.

SELECTED BY TOMáS Q. MORíN

I love how lightly this poem wears its connection to the Frank O’Hara poem of the same name. No epigraph, just one bold and brilliant heart speaking to another bold and brilliant heart across time about love and its emergencies.

And lest I forget, the close of the poem contains one of my favorite endings in all of poetry.

ABOUT TOMáS Q. MORíN

Where Are You From: Letters to My Son

Tomás Q. Morín is the author of the forthcoming novel Cat Love from Pantheon, the poetry collections Machete, Patient Zero, and A Larger Country, and two memoirs. He is a Guggenheim Fellow and teaches at Rice University. 

Read poems by Tomás Q. Morín • Latest book: Where Are You From: Letters to My Son by Tomás Q. Morín, published by University of Nebraska Press, 2024 (Available direct from University of Nebraska Press • Also on: AmazonBookshop) • Follow on InstagramWebsite
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Dispatch

SHARED WITH GRATITUDE

This poem appeared in Dispatch by Cameron Awkward-Rich, published by Persea, 2016. (Available on: AmazonBookshop)

DESCRIPTION

Winner of the 2018 Lexi Rudnitsky Editor’s Choice Award, Cameron Awkward-Rich’s intimate second book of poems attempts to reckon with and withstand American violence.

Set against the media environment that saturates even our most intimate spaces, Dispatch attends to, revises, and thinks adjacent to the news of racial/gendered violence in the US, from the nineteenth century to the present day. These poems ask: What kind of revisions will make this a world/a story that is concerned with my people’s flourishing? How ought I pay attention, how to register perpetual bad news without letting it fatally intrude? Cameron Awkward-Rich is among the most bracing voices to emerge in recent years, a dazzling exemplar of poetry’s (and humanity’s) possibilities.” (Source)

ABOUT CAMERON AWKWARD-RICH

Poet and writer Cameron Awkward-Rich is the author of the full-length poetry collections An Optimism (Persea Books, 2025), Dispatch (Persea Books, 2019), and Sympathetic Little Monster (Ricochet Editions, 2016), as well as the chapbook Transit (Button Poetry, 2015). Awkward-Rich is also the author of The Terrible We: Thinking with Trans Maladjustment (Duke University Press, 2022). A Cave Canem fellow, he earned a PhD from Stanford University. He teaches women, gender, and sexuality studies(more)

Read more poems by Cameron Awkward-Rich • Find books by this poet on AmazonBookshop • Follow on InstagramWebsiteOr view my library

ENDNOTES

Comments (1)

  • breaks my heart, too

    This is now the third time this poem has been posted on this site, lol. Not complaining, it’s hit me like a train each time I read it. I think that shows how deeply it resonates with people today.

    reply

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